Marna Jean Davis- Clothing Historian
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Domestic Lady's
​Dressmaker

Deciphering Draperies- Recreating draped overskirts

8/7/2017

1 Comment

 
Have you ever seen a dress you wanted to reproduce, but did not have access to it in person? This post is going to help you try to read the lines of a draped overskirt to bring a bit of understanding to how draping works, and how to read a photograph to give you some starter guidelines while you are draping. 
1. You HAVE to have a mannequin to do this- Or a good friend who is willing to stand while you drape. Draping involves fussing and adjusting to make sure the lines are reading like you want them.
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 2. Your mannequin (or friend) MUST have the proper petticoats and underskirt for you to drape over. Even with a mannequin, you will lack a bit of bulk where your petticoats will want to collapse over the single pole instead of your legs. Wrapping quilt batting or folding a pillow and taping it in place around the base of the pole will help offset this issue.  In the case of the base I am using for example in this post- I used an extra small bridal petticoat I found at the thrift store for a couple of bucks to fill out the space my legs would normally take up.
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I'm putting a basic skirt on my mannequin that will serve as a nice contrast.  I also prepped a 42 inch by 42 inch piece of fabric with vertical lines (black except for center back which is red) and horizontal lines in varying colors so that you can see the draping just a bit better. In the photos below this is the piece of fabric being used. Bits outside the heavy black lines (or blue tape) would simply be trimmed off after I am finished draping.

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This is an early 1870's extant dress from the Met.

The front overskirt is cut shaped narrower at the top, without gathers and is a flat "apron" shape.

The back shape is soft and rounded and draped.

​Notice that it curves down and back up from side seam to side seam.

It appears to be gathered along the side seam. 

​We are going to focus on re-creating this back drape.

Pictureclick to enlarge
Heavy black lines show the waist and side seams.
 
The colored lines trace the drape of the skirt. A drape that follows a round shape all the way across the back will need to have the bottoms of the pleats pulled forward. If this does not happen then the center back will fall straight rather than continuing a curve around the back.
Try  printing out an image and tracing the lines to see what is happening with your drapery
​

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WAIT you are saying- you cheated that one is pleated while the other one is gathered.

The key is to put pleats in first to control the way the draping falls.

If you want a gathered look the sides as pleated will be  longer than you want the finished length of the side to be. You will then run your gathering stitch OVER the pleats, and draw it up to the finished length.  

Pin drapery center back
Pin to sides
Pleat to fit waistline (or gather) I find pleating lets me control drape a bit better. Notice the fullness is concentrated at the center back third of the overskirt,
Pleat up and pin in place. Even if you want a gathered look, pleat with a longer finished length and then gather after adjustments are made.
Notice that the bottom of the pleat will be pulled forward. As you pin each pleat in place, adjust and repin the one above it to keep your lines smooth.
Overskirts with rounded bottoms like this one I usually tuck the bottom hem to the back and pin in place before the last pleat is pinned in place.
Moving the bottom fold of the pleat forward pulls the underside of the drape to the skirt and allows the top edge to fall outward in a curve.
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Here is a similar rounded drape except on the front of a dress.
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The front drape is on the right- notice the jagged looking side seam? This is much the same as your drape would look if you unfolded the pleats after trimming off the extra.
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You can see if you follow the fold lines that the bottom edge is actually pulled up to within about 8 inches of the top.  
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This is another Met dress from the 1880's 
This time we are looking at the front drape.

The heavy black lines on the two final photos show where the fabric is trimmed away after it is draped.
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Summer Wrapper for Early Bustle

8/12/2016

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PictureBack view extant gown
Research is a long drawn out process. I have been scanning fashion magazines and photos, drafting scale patterns and EVEN attempting reproduction of the fabrics on my extant gowns.  I was starting to go cross-eyed and decided a bit of sewing was in order to ground me.
 I chose a wrapper that I had recently drafted for "Domestic Lady's Dressmaker- Volume 1".  I suspect this wrapper is right around 1870-73. The shoulders are cut long so that the armscye drops off the shoulder but the shoulder seam itself runs mostly along the top of the shoulder.  This particular dress is cotton, and is completely unlined. 

Instead of trying to make the original pattern fit me, I used my master sloper patterns from the early bustle era, put them back together as they would have been just after drafting, and redrew the lines where they would match up better to the original dress. With my new sloper pattern that I already knew would fit me in hand I proceeded to draft out the dress in a reproduction print I felt would give the same "feel" to the gown.

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I knew this dress would make up quickly because it had no front darts, and used many speed sewing techniques that appeared with the advent of the sewing machine.  No lining also helped keep the fussiness to a minimum.

​The hem is machine sewn, as is the bottom of the main dress. The flounce is then overlayed over the hemmed upper dress and stitched down.

The sleeves are a very simple cut and gathered into a cuff and the placket for the sleeves is simply hemmed on the seam line.

​ From cutting it out to putting it on I probably have a day's worth of work in it. I did overestimate how much longer I wanted to make it, as I have my standard dress length recorded as the heel height I usually wear for the 1880's (about 2.5 inches) and yesterday I didn't' bother to put on my shoes to try on my new gown. 

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The dress is easy to move in, and I am modeling it with my corded corset, and not quite enough petticoats. (memo to self- I need new early bustle petticoats) Tara my daughter's dog decided to help me show how well I could bend over in this photo.

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The front hangs straight down from bustpoint. Since my slopers already allowed for my full bustline, my finished dress is fairly smooth to the armscye.  I chose vegetable ivory buttons from my stash to finish it off. The original had buttons placed a whopping 5 1/2 inches from center to center, and while I put mine closer than that, if I make it again I will probably go for a 3-3 1/2 inch center. The the original dress showed no sign of fasteners for the cuffs, so I chose to use matching buttons only smaller in size.  Since Dear Daughter took photos for me yesterday, I have decided to also make a self fabric belt which will close with hook and eyes. I may even do one of the cute rosette sash belts with the little tabs that were so popular in that time frame.  I may also later do a nice black grograin belt as well.

At any rate I think it will be a comfortable dress for housework. Now off to do a bit more research for its place in my upcoming book "Domestic Lady's Dressmaker"! 

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    Painfully obsessed clothing historian,
    mom,
    ​decendant of long line of farm women and seamstresses

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